The Music Blog: Nesta

Think about this one. Don’t argue or spend your time trying to think of why I might be or even are wrong. What I want you to think about is rock and roll, the music, the genre. Think of that one artist who defines that entire genre. Can you do it? You might think of the Beatles, but is that all that rock and roll is and is that the universal answer. What about the Rolling Stones? There might be a few of you who define it as Pink Floyd or Queen maybe a few weird people who think the answer is The Who. There might even be one or two disillusioned souls who somehow someway think its Frank Zappa. Yea probably not.

What about country music? That has to be much easier. Hank Williams am I right am I right? What about Haggard? Or Willie Nelson? What about the Statler Brothers? Yes made you laugh or maybe chuckle. I am sure there is some moron who thinks its Blake Shelton. And you wonder why modern country music makes me nauseous.

You can do this for any genre. Blues? Well Eric Clapton thinks he’s god so why not? Well to start with he is white and an Englishman and overrated to boot. I have given you my thoughts on this I have three number 1’s and I have probably listened to more real blues music than most of you. Why should I be right anyway? Who put me in charge.?

The truth is you cannot do this for any genre of music including Classical music. You say you love Mozart? I give you Beethoven’s nine great symphonies.

You also have to consider what’s included in that statement. Take rock and roll music since most of you, at least the two people who read my blog, love rock and roll. There are more than a few sub-genres within rock and roll so how do you pick one artist who can define and symbolize all that. You see, I say you can’t. Then there is the genre of Reggae

See I know who you think about when I mention the genre Reggae music. For most of you Bob Marley is the only reggae artist you know. Some of you might know two, a very few might know three. At least four of you who read my blog on this artist are squirming in their seats and doing a Horschak imitation, “Ooh, ooh ooh.” I see you and your Burning Spear answers. Even if you love reggae, and because of that know many artists like I do you would say that Reggae begins and ends with Robert Nesta Marley. Bob Marley is the face of Reggae, considered a prophet by many Rastafarians, and a symbol of Jamaica, a national treasure.

 

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Bob Marley was born in the mountains, in a small town. His father was a white man, an overseer on a plantation. The myths of Bob Marley, of which there are a few, say that as a young child he could read the future from the palm of your hand. For many reasons but mostly opportunity Bob’s mother moved to Kingston which meant as a black mother, a common worker at that they lived in one of the many shantytowns in Jamaica, in fact the most notorious of them all where the burning embers of revolution, equality, freedom and Rastafari were born. They moved to Trench Town. There both small of frame and stature Bob learned to fight, to defend himself with the knife common to Trench Town, a steppin’ razor. Later Peter Tosh wrote a song of that name and could have been describing Bob for he was a steppin’ razor, dangerous. Fighting wasn’t all Bob learned, music was another way out and there were many places to gather and learn. The music of the day and of Jamaica was ska and Bob learned it well. Bob’s best friend was Nathaniel Livingston. Livingston’s father had married Bob’s mother and they had a child together which only brought Nathaniel and Bob closer. Together they shared and explored their love of music and one day came across a tall gangly young man named Peter Tosh. Together they formed the Wailers and began writing and playing songs together. Livingston would change his name to Bunny Wailer. They began playing and recording songs around Kingston.

Bob actually left Jamaica for a while and moved to the United States where he worked in a factory. He continued to write songs. When he returned to Jamaica he quickly hooked back up with Bunny and Peter to share the songs he had been writing. Music though had changed to what became the Reggae beat and Bob struggled at first to adapt, but adapt he did. Bob also discovered the growing Rastafari faith and was soon converted and began growing his dreadlocks as did Tosh and Bunny. Reggae music had always been affiliated with Rastafari and the themes of Reggae are Rastafari themes. The Wailers not only caught up but they began forging the ground of Rastafari. Songs like Get Up Stand Up, People Get Ready and albums like Soul Rebel, Catch a Fire, Burnin’ and Natty Dread. Peter Tosh left in 1973 to pursue what would be a tremendous solo career of his own. Tosh and Marley disagreed on a peaceful movement to equality and they were often pitted as antagonists. I can tell you they loved each other but they did have different beliefs. Bob advocated peace and Tosh wanted even demanded equality immediately. The three had always been equal members in the Wailers but more and more Bob had come center stage. Many, Tosh included believed it was due to Bob’s lighter skin. Bunny Wailer left in 1976. Both Tosh with Legalize It, and Bunny with Black Heart Man had debut albums that are among the greatest Reggae albums of all time. Sadly Bunny is the only surviving member of the Wailers.

Bob reformed the Wailers with new personnel and continued to play. There was a failed attempt on his life and Bob left Jamaica for a while due to safety concerns. He released the album Exodus in 1977 a masterpiece, Kaya in 1978, Survival in 1979 and Uprising in 1980. For most of you, if you have any album at all, it’s likely Legend which was released after his death and is essentially a greatest hits album. It’s a great album and I think everyone should have it. For me though it’s difficult to see people who post on facebook how much they love Bob Marley without owning any album other than Legend or no album at all. It’s easy to love any artist if you only listen to their hits. If you want to really learn about the man you have to dive deeper and buy one of his studio albums. You hear how deeply religious he was, you hear his thoughts his emotions and you get a tremendous sense of the man. Regardless, saying you love Reggae because you love Bob Marley is ridiculous.

Bob was an avid football (soccer) fan. It’s the one thing that in poor nations that is easy to play, you just need a ball. Bob almost always played barefooted. One day Bob injured himself. It was a cut and like most of us he didn’t think anything of it. Things like that had happened before. Bob went about his business playing his very busy concert tour, writing and taking care of his enormous responsibilities. When he went out to play again he found he couldn’t. The pain that it brought in his foot was severe so Bob like most of us went to have it checked out. Why wasn’t it healing, why was it worse? Bob was diagnosed with Melanoma; however it was still localized to his big toe on his foot. The treatment plan was amputation. Bob refused, and he refused because of religious reasons. Rastafari faith believes that you have to leave the world with what you came into it, meaning complete. Amputation violated this belief. Bob was advised it would get worse and it would spread. Bob sought other opinions and received the same treatment plan. Bob kept touring until he collapsed on stage some time later, the cancer having spread just as he was told. He tried alternative treatment, traveled to other countries and was willing to try anything all the while growing more ill. Eventually he agreed to have the toe amputated but the cancer had spread. He underwent chemotherapy and his beloved dreadlocks, such a powerful symbol to Rastafarians and Jamaica fell out. He grew frail, until there were not any more options and he returned home. One of the last things Bob said to family was that money can’t buy you life. Robert Nesta Marley died on May 11, 1981 In Miami, Florida.

You might guess based on me writing this blog how I feel about Bob Marley. Your thoughts probably barely scratch the surface. There are artists I grieve over, feeling the loss like I would a dear friend or family member. Music lifts me up and is my companion in good times and bad times. Many of these blog posts I cry over. They take a lot out of me as this one has. Like most of you the only way I could know Bob Marley was through his hit songs through the album Legend. When I wanted to dive into Reggae I didn’t start with Bob Marley. That was too easy. I still feel that way. Reggae is a rich very textured genre. It’s like most women I know very hard to get to know. It has a language unique to itself a beat unique to itself. When I got around to Bob Marley I started with Soul Rebel which came out in 1970. It was not his first album but it was pretty early. This was the Bob who was alive. He recorded that album as a living breathing soul. Knowing Bob Marley isn’t the easy thing you think. It really is like picking up a book on Abraham Lincoln and trying to discern who he was, what he loved. You can get glimpses but you will never get the full picture. Listening to an album is like hearing the beating heartbeat of a soul. The album Legend is clinical, it’s posthumous even though all those songs except for Buffalo Soldier were released when Bob was alive. It’s still a carefully put together clinical look at an artist. Listen to Natty Dread, or. Burnin’ and you get something different. Bob is the only artist who I believe should never be covered unless your last name is Marley. I love him that much. It’s very difficult to see and hear David Marley sing (Ziggy) because he sounds and looks so much like Bob.

There are many images of Bob all available all easy to find. With the exceptions of him frail and dying I love them all. My favorites though are of two types. The first is Bob sitting, smiling. He never appears as if he is posing. It’s like taking a candid shot of someone and capturing them perfectly. The other is later in his career when he had the really long dreadlocks and the pictures are all live performance shot. Bob playing or singing those dreadlocks flying around his head like some strange Medusa, so free and so joyful.

Nesta

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Mike Out

The Music Blog: The Golden Age of Grotesque

A Master’s Degree in Social Work is a 64 hour program. That might seem long to you especially if you have a graduate degree. The reason for the length is that many social work students do not have Bachelor’s degrees in social work so the first year of graduate school is for learning what Bachelor’s graduates know already. So a person with a Bachelor’s degree in social work the program is reduced to 32 hours if and only if you attend graduate school within a certain time frame. I missed that time frame but received credit for the work I had done in social work already and the fact that I was a Licensed Social Worker already. My program was reduced to 59 hours. Now, this was actually good because that 5 hour reduction was one of 2 field placements.

A field placement is a course that includes some classwork but mostly working in the field. You are required to interview like you would for a job with a select number and it’s quite a few social work agencies in the area and do a certain amount of hours. There are a lot of hours and it can be really difficult if you already have a full time job. Getting one of these 2 field placements removed from my requirements was a big deal. I only had one and was very lucky to get mine at the Tarrant County Probate Court Guardianship program. Now the guardianship program was really one of the best in the country. Lots of people need guardians. There were people with traumatic brain injuries, developmentally disabled, a few kids who had no relatives and so a family friend had become their guardian, elderly with Alzheimer’s. Essentially anyone who was unable to make decisions for themself was eligible for guardianships. Some had guardians who were their parents, a developmentally disabled adult who could not make decisions for themselves. Some were guardians for a parent. Some were in group homes, some were in nursing homes and some lived at home. Some worked, some were in vegetative states. Part of the guardianship program consisted of a yearly visit to both the guardian and their charge. The purpose was to ensure that all was well and that guardianship needed to continue. There were other aspects to this program that are not pertinent to this blog. After all, this is a music blog and not a blog about my social work career. Remember music? We’re here for the music.

Now I loved doing yearly visits. I could grab a handful of files and knock them out easily in a week by doing visits in the early evening or on weekends. I learned a lot about all sorts of things and sometimes it required challenging my pre-conceived notions like the best nursing homes are in the best areas of town and cost more. I found that to be incredibly untrue. I found sadness. I found joy. I found hope sometimes in the most hopeless of situations. If you knew me back then you would be surprised that my cocky nature, really a façade, had also found humility. I was humbled by all that I saw and experienced.

I had great visits, visits that made me laugh, that made me happy and visits that made me sad and mournful. They ran the gamut of emotions as varied as the many paths I saw that a human life could take. One of my favorite visits was with an adolescent. Of course, adolescents have always been one of my favorite groups to work with. This kid was about 16 and had no living family and so a family friend had taken on the role of guardian for this young man. He was distant which was not surprising and had been under guardianship for a year or two. As I walked into his room the first thing I noticed was a poster of Marilyn Manson. There was an album on the bed that was also Marilyn Manson.

Now almost immediately the guardian said that she had heard everything this kid listened to and had heard all of Manson’s music and said that she even liked some of it. All of his friends listened to the same music and there was no way she could keep him from listening to it. The kid also chimed in telling me how Manson had something to say and that yea some of the album covers and videos were pretty shocking but to please not let it affect his guardianship. I did my interviews and I told this adolescent to remember that I had been a kid his age once too. I thought about my mom listening to Alice Cooper’s Billion Dollar Babies to make sure that my soul was not going to be endangered or that I wasn’t going to go out and become a mass murderer or something. I talked to my field supervisor and she was concerned about the kid listening to such disturbing music. I asked her if she had ever listened to a Marilyn Manson song. She said no. I asked her when she was in school if she had ever been exposed to shocking music that her parents would not approve of and she said of course. I defended this kid and I defended Marilyn Manson and I told my field instructor that this kid was in a great home, that he had been through enough and had somehow come out with hope for a better future and to mess with his guardianship which his mother had arranged when she was dying seemed wrong and so we took it to the Director of the Guardianship program who listened to the argument and said that I was right. I felt pretty good except for the fact that I had never heard a Marilyn Manson song and was repulsed by his looks and his outrageous videos which I wouldn’t watch.

In 1999 Marilyn Manson was heavily criticized even blamed outright following the Columbine shootings along with video games and anything else to deflect the blame onto something tangible. Marilyn looked evil therefore he had to be evil. Modus ponens logic if today is Monday the moon is made of green cheese. Today is Monday therefore the moon is made of green cheese. It was ignorant and yet it continues because there are many who would rather judge him for the weirdness, for the album covers than accept him as an artist. Marilyn Manson responded with intelligence, thoughtfulness, and sensitivity to youth, which is how he is in every interview.

I didn’t listen to Manson until after my guardianship visit. I had seen him interviewed. I did not think he was the devil’s child out to spread evil. I did not think I would like his music. I was surprised. I first downloaded a selection of songs, most of them his bigger songs, The Fight Song, The Dope Show, Cake and Sodomy. It wasn’t a mess. It was not what I expected. There was and is intelligence behind his music. Like Alice Cooper before him though it was the presentation. That’s the point though. There is some work to be done to become a fan. A younger person gets through that easier, and the music and lyrics feel more at home than someone older. That doesn’t mean it’s beyond understanding but you have to want to. I loved his covers. Sweet Dreams is absolute genius. Another though Suicide is Painless again drew heavy criticism which he never responded to probably because he was laughing so hard. That song is actually the theme song to M*A*S*H. That’s right, the actual title of the theme song is Suicide is Painless which was actually sung and has a special moment in the film if you ever saw the movie starring Donald Sutherland and Elliot Gould which came out in 1970 as a dark comedy. That’s what you find with Manson’s music. I mean seriously he named himself for a beauty queen actress and a notorious cult leader and mass murderer; one of the most loved women on the planet and one of the most feared men. He has a sense of humor and it’s throughout his music.

I bought Portrait of an American Family, the first full length Manson album, first and absolutely loved it. I have most of his albums if not all and love them more or less as you would any artist you love. I don’t need to go into all of the songs. Some of you won’t be able to move past your own revulsion, your own judgment and that speaks more about you than it does him. Some of you are going to love him, and some of you are going to like him. There will be others who dislike him and some even will hate him. Come on he is not Zappa. What I would hope is that if you are one of those in the last two groups that you have at least moved beyond your own fears and listened to a few songs.

Mike out

The Music Blog: That Material Girl

Some things wear you down, and some things wear you out. This is in music as it is in anything else, maybe more so. One of the things I really love about music is how it transforms the world around it. Take my favorite genre for example, Grunge. It was something to walk into a department store in Texas in late August with temperatures in the 100’s and see back to school sales that included flannel outfits just like all those Seattle rockers. It’s more than genres though, what I really love is how some artists reach iconic status. Elvis, Hendrix, Michael, Prince, The Beatles, The Stones have all reached a status that no other artist can be compared to them. It’s fascinating to watch, to experience.

MTV changed the music world. It ended careers because music became a visual art as much as a musical one. If you were not photogenic enough, if you were overweight, unattractive then your career never got off the ground. It made careers too, a great video could significantly enhance album sales or get a career started and in some cases it could help make you an icon.

I, like anyone my age, in the early to mid 80’s when I was home would have MTV on instead of the radio. It was the best place to hear new music. Like radio video hits were played every hour so. If you had a favorite video there was a good chance you would see it and not have to wait long. Remember how this opened some things wear you out and some things wear you down. The first time I saw her and her video I thought it was a train wreck and laughed. I wondered if she were trying to be funny. She dressed strangely, not weird strange, just different, all those bracelets, the way she wore her hair. Every day it played every hour and every time I watched, and it wasn’t long before I wasn’t laughing. She was cute, and she did have something even if at the time I might have been unwilling to share that with my basketball buddies.

The song was Lucky Star and the artist Madonna.

It didn’t take her long. Pretty soon you could see girls on campus who dressed just like her or some version of how she dressed. Girls wore more bracelets for sure. Madonna had other songs that followed and all of them were hits. She took the 80’s by storm, grabbed hold and never relinquished it. You might not like her, either personally or musically but you can’t ignore her and she deserves respect. There has been no one ever to come close to her and what she did, what she continues to do almost 40 years later. That alone commands respect. Not many last that long and still stay relevant. In 2019 she released the album Madame X.

I have never thought she was gorgeous but she has always been able to give me those funny feelings. I thought I was a bit beyond feeling that way and then the movie Die Another Day came out. It’s a James Bond film and Madonna not only sang the theme but also had a small role. When she turns around in that movie my heart skips a beat and it doesn’t matter how many times I have seen it. Don’t think the director didn’t know what she could do and would do. It was calculated. She has always been one of those wow girls to me. When I was in college I wanted a girl who had that look. I had a friend who I attended social work classes with and she made me a party tape, just a 90 minute cassette with 2 songs from different artists and Madonna was on that cassette. She laughed at me when I made a face but later when we were over her house listening to records I told her I loved Madonna. She just had something about her, that material girl.

Long ago I stopped worrying about whether people loved the music I did. I used to call these guilty pleasures and even recently used that term and then realized I am not guilty about loving any of the music I have. I bought it all for a reason, to listen to. There are some that I discovered were not as good as I originally thought, some I just got tired of but feeling guilty about liking them I just don’t. I bought Swing Out Sister because I found myself singing the song Breakout all the time. I bought Madonna because I loved the song Papa Don’t Preach and once I did that well it opened the door to buying a little more. Then I just decided I wanted all of it. Now I don’t love every song. I don’t have to. I don’t love every Beatle song. I mean seriously Revolution #9? There are bunches of Rolling Stones songs I just don’t like but they are still the greatest rock and roll band to ever walk the planet. I love Elvis. There are many who don’t. That does not make him less of an icon. I am shocked when I run across people who don’t like, in fact don’t love the Beatles but they are still iconic. Your like or dislike, your love or hatred of an artist doesn’t make them less iconic. If you read my blog all two of you then you just had an a-ha moment. Yea Mike what about Clapton? I like several of his songs, even like a few of his albums but I don’t like him as a person or even think he is that great. It doesn’t make him less of an icon. So however you feel about Madonna doesn’t actually matter much in the big scheme of things. Madonna is an icon.

Mike out

The Music Blog: Evan Dando

I have said it before, Grunge and the British Invasion did more for music than anything else. Both introduced us to bands we otherwise would never have heard and kept them from being relegated to local club obscurity or they would have remained underground struggling to exist in the mercenary world of big labels and 80’s hair bands. For goodness sake people we could still be listening to Warrant and liking it.

Bands and artists began popping up everywhere in the early 90’s and many had been around putting out albums for a few years. Some would have a single moment of glory, one great song and others would have a great album with a few. Others would put out multiple albums and their fame would last, at least for a while. Some are still popular today. There would be horrific deaths from suicide and drug addiction which would damage rock and roll and actually make labels fear signing bands from Seattle. No one wanted to sign the next tragedy.

At first glance or even a second look the Lemonheads might not be a big band to you. I came across them the way I have come across a lot of bands I love; completely by accident. I bought It’s a Shame About Ray shortly after it was released. I had no idea what they sounded like, who they were. They had yet to have a big hit on the radio. In fact the first song of I heard on the radio was Confetti which is on that album but they had a bigger hit song, a cover of Mrs. Robinson which was not on the original release but added to the album after it became a hit. It’s a Shame About Ray was not the band’s first album. This band from Boston had struggled mostly being heard on college radio and then Grunge happened and opened the door to any band anywhere alternative.

In the beginning the band was about three guys but it quickly centered around only one, Evan Dando. Dando was the principal song writer, the singer. Dando has a quirky, free spirited, fun loving personality which you can hear in his songs, in the interviews with him. He was always smiling. The songs are quirky, Confetti, Rudderless, Alison’s Starting to Happen and the title track. It’s a Shame About Ray brought Dando instant rock stardom and he seemed perfect for the roll, still does. Rock and roll has always had characters and Dando fit that mold. He freely admitted to liking drugs but denied having any problem. Eventually he would. There was also the quirky relationship with Julianna Hatfield. Were they a couple or were they not? Both denied it, saying they were just friends, collaborators. Turns out, that’s exactly what they were, friends and remain so to this day.

The Lemonheads followed up on the success of It’s a Shame About Ray with the album Come On Feel and it paid immediate dividends with the song Into Your Arms and follow up singles Big Gay Heart and the Great Big No. Both albums are the very height of their popularity. Dando had it all, great personality, free spirit, good looks and one hell of a great singing voice. He has the perfect range that rock singers dream about.

In 1997 the Lemonheads, aka Evan Dando went on hiatus. There had been declining album sales and the toll of the road, drugs and everything that came with rock stardom just reached a breaking point. In 2006 Dando came back and has put out a few more Lemonheads records. He is a wonderful performer whether you see the band or just him in an acoustic setting.

There are a lot of reasons why I post and share the music I listen to. There are a lot of reasons why I blog on a select group of them. Believe it or not, selecting topics for me to write about is something I think about a great deal. I really enjoy reminding you about bands you may have forgotten about, or introducing you to bands you may have never heard. To me, that’s one of the real joys of music and collecting it and why I don’t just stick the things I have in a closet. I play everything I own. Some I hate (Zappa) some I love like the Lemonheads. They were an important band to me and I can remember driving around with my mom and listening to it with her because she always listened to the music I was listening to. Listening to It’s a Shame About Ray makes me feel good every time it comes around. I have nothing but fun, fond memories of that time and of that band.

So if you have never heard of them before or if you are not sure or can’t remember, buckle up. If you don’t like them, oh well at least I don’t have 10 albums of their music you will have to slog through.

I give you The Lemonheads

Mike out

The Music Blog: Zeppelin

I guess it was inevitable. Sometime in the last ten years or so I began to forgive. I didn’t forget. I just forgave. I had enough musical grudges and it just wasn’t worth carrying around another. Led Zeppelin simply had too many songs from my junior high and high school years to make it practical and while it was a similar grudge to the one I have with the douchebag it lacked the depth of anger and disgust. Technically they had not done anything wrong, or had they?

Since I graduated high school in 1981 it’s not a reach for you to see that the music of Led Zeppelin colored my Junior High and High School years, my formative years when it comes to much of the music I love, how open I am to new groups and new genres. All of this originated from those years. The underground stuff I got from college but my well-formed attitudes towards what was good rock and roll and what was bad rock and roll developed in those years. While my tastes have matured and there are many more bands that have importance to me, many of my favorite bands are 70’s bands.

I never loved Led Zeppelin, certainly not the way many people did. I didn’t hate them either. I didn’t have every record but I did have a couple. Listening to the rock stations of the day you could not avoid Led Zeppelin, but generally speaking they were not a band I changed the channel on. I did not wail, threaten to cut my wrists or refuse to go to school out of grief when John Bonham died. Led Zeppelin was not that important to me. The bands and artists who I would grieve over were still well beyond the horizon. Zeppelin had quite a few songs which received regular airplay and quite a few songs that I loved. It was and still is impossible to hate the song Kashmir. My son still sings the song Whole Lotta Love just the way I do because he heard me sing it that way, which is complete with sound effects. The first Led Zeppelin song I fell in love with was not Stairway to Heaven, it was Over the Hills and Far Away. So the first album I bought from Led Zeppelin was not IV, or even the debut but Houses of the Holy. I now have all Zeppelin on either vinyl or cd but back in the day the only other album I had was Presence because of the song Nobody’s Fault But Mine, which later would prove ironic.

As I said they were never my favorite band. I liked a few songs. I recognized the greatness of Bonham but I have never liked Robert Plant’s vocals. I am just not that crazy about him and his solo work has reinforced that opinion. I always thought based on nothing at all that Jimmy Page was terribly overrated but I couldn’t tell you why I felt that way. What I can say is that I don’t think or believe that any longer. I see him now as an innovator but that doesn’t really change my opinion of the band.

It was after I graduated college with a pesky bachelor’s degree that I began to be exposed to more and more music. The Blues, that’s what I dove into. I bought everything blues. If it had blues in the description I bought it and then I started realizing over a long slow time period the weight of what I was seeing and more importantly what I was hearing. I won’t go into great detail again about my beliefs of what blues music is and is not. What I saw were a whole lot of white artists many of them not even American calling themselves blues men or being described as bluesmen many with the word great thrown in there for good measure. Blues is uniquely American and while many will say the blues ain’t nothing but a good man feeling bad that isn’t true. It was born in terror, born in defiance, born in a hopelessness that no white man could possibly understand, especially a damn Englishman. They can play the notes but they just can’t go THERE.

In this discovery of the blues I came across a song on a compilation by Blind Willie Johnson. I didn’t see the title I heard the song and then I looked at the title. It’s Nobody’s Fault But mine. I pulled the album Presence out Side 2 first song Nobody’s Fault But Mine (Page-Plant). It’s not the same exact song, but then it is, that chorus. Now the song is a Public Domain song but my question then just like my question now is why not give that credit, why not have it in your liner notes why not tell the world where you got it. Nope. Page-Plant wrote that song its right there on the album. Do you really think they wrote the line a big legged woman ain’t got no soul? That’s a line in another song that they stole. They stole liberally from an African American culture that they neither care about or understood. So I stopped listening to Led Zeppelin. They were not the only ones. White Englishmen still do this. White Americans do this so why do I punish one band? I don’t. Whether I listen or don’t listen to Led Zeppelin affects them not at all. Bonham is gone. Led Zeppelin will never perform again.

Their music is different than that of Clapton, aka the douchebag. I like some Clapton songs too. I don’t like Clapton the person. I don’t need to rehash it here. Some of my forgiveness of Led Zeppelin came about because of social media. Jimmy Page just seems like a good guy. He seems so humble and I have never really heard him say a harsh thing. I don’t like Robert Plant’s voice all that much but he is human, oh is he human. Whatever they did or didn’t do I can’t find it in me to be angry and maybe that has as much to do with me as it does them. If Led Zeppelin had a stronger place in my heart then maybe I would feel differently. They didn’t and I don’t. It’s hard to stay angry and it requires a lot of energy and I have a musical grudge that I won’t let go of. Heck I even have a couple or three or five. I am not passionate enough about this one. So put your earplugs in. It’s time to go back to the 70’s and crank some Zeppelin.

Mike out

The Music Blog: Oh Yeah, You and What Army?

I have never really been a joiner ever in my life. In high school the only club I was involved with was Spanish Club. I played football, wasn’t very good but I was determined to stick it out and letter and I did, about the only meaningful thing I did. I always kept my grades at a certain level, not ever wanting to be in the National Honor Society which probably took more energy than actually being in the National Honor Society constantly trying to figure out what grade I needed in each class so that I could stay out. I attended a few Fellowship of Christian Athletes meetings, but always felt like I didn’t belong because I wasn’t really a believer or a church attendee and because it was the same group of guys who spent their time picking on people like me and generally being assholes. I could only put up with so much hypocrisy.

Some time in my 8th grade year Pete moved into my neighborhood. It was a local move and I knew him. With the move though came new friends. Pete had two step sisters that were gorgeous so going to his house just so you might say hello to one of them was a good thing to do. I never said hello, too shy and they were way over my skis. Pete lived in a hastily built room in the garage with no insulation. It was freezing in the winter time and burning up in the summer time. It always seemed to me as if he wasn’t really welcome in his own house but you could always hang out in Pete’s room coming through the side door. It was around this time that the group I hung out with started to drink on weekends, usually splitting a six pack of tall boys which usually was Schlitz. Yea yea I know but it was cheap and we were not rolling in the dough. Pete always got sick even if he drank just one beer.

Pete and his friends loved Kiss. I wasn’t into them at all until I started hanging out with them, then it sort of became something you had to do. I really got into them and strangely enough Pete started to be into other music. So one day while sitting around he asked me if I wanted his Kiss records. Naturally I said I did but if he changed his mind I would give them back. So I acquired two albums Kiss Alive, and Love Gun. I still have those albums. I listened to them all of the time and acquired a few more on my own.

For a short time Kiss was one of my bands. I loved them. For awhile as the intro to their concerts said, they were indeed the hottest band in the land. It was the show too more than the albums; that incredible stage show. They were masters of the four minute rock song churning them out. They were not sophisticated, not deep just rock and roll played hard and fast. They didn’t have the greatest musicians but in their heyday there was always the question of who the best was, Gene, Paul, Ace or Peter. I was always an Ace fan, and once he was gone I stopped listening but truthfully I was already moving on. Perhaps they were a rite of passage band or maybe just one of those trendy things we had to love.

In the early 80’s with the makeup off they released one of my all-time favorite songs and certainly my favorite Kiss song Lick it Up. Truthfully I still like much of their music; Love Gun, I Wanna Rock and Roll All Night, Black Diamond, Shout it Out Loud, Detroit Rock City and a host of others. Kiss has their place in rock and roll history. Are they the greatest band ever? Of course not. The Rolling Stones will always be the greatest rock band ever but music needed a band like Kiss, still does, We always need bands that play to the masses who play music you can take in easily and even get buddies together to play it in your garage.

Kiss will never again be my favorite band but they will always have a place in my heart. For a brief moment in time they were the greatest band ever. Whenever they come around on the playlist I drift back in time 40 years or so to Pete and other friends, to two step sisters that I wished had noticed me or maybe if I had just had enough nerve they could have really abused my ego by the cold shoulder of rejection. The arguments rattling around my head, Gene is the best, no Paul and no again it’s got to be Ace. It was deep philosophical questions under the influence of Schlitz beer “Do you think Gene really breathes fire?” No, you’re a moron for thinking that. “Yea but that blood is real right?” Sigh. “Do you think they walk around in that make-up?” Yea dude they do, all day every day it never comes off.

That’s the beauty of music. We will always make heroes of our rock stars, give them supernatural powers and believe the world begins and ends with them. Music is powerful, takes us back not always to good times but mostly. Regardless, if you are like me, one whose memories all revolve and are catalogued musically then music of all sorts is no doubt special to you and always will be, even the hottest band in the land.

For the record I never joined the Kiss Army either. Did you really have to ask?

But Ace was the coolest.

Mike out

The Music Blog:Did Someone Call for a Priest

I remember the night, remember it well. I was going to college in Arlington, Texas but summers were spent in Nocona, Texas a small town north and west of where I grew up not too far from the Oklahoma border. You know, where vegetation ends Oklahoma begins. It was small town life, where you went to town, did the drag and hoped you found something to do. Occasionally you got a group together to drive east to Meunster, about 30 miles away where there was a small club called The Ranch which for being a small town managed to pull in some pretty good local bands to play some live rock and roll. It was a dive, a place to see people you knew, meet people you didn’t and drink beer. You never knew what you would find to do in a small town.

One night I was there with a friend of mine. I can’t remember what we were doing. There were not many people out as it was one of those Texas nights when it was raining cats and dogs. My friend came to me and asked if we could give another friend of ours and his girlfriend a ride. I said sure since there wasn’t much going on anyway. It was raining hard and there was a 5th person and for the life of me I cannot remember who it was. I do remember by the time we piled into my Trans Am we were soaked, the windows were fogged and we still had to get home. Water was standing on the street and I considered going backroads home but decided against it since most of them were dirt and gravel roads so it was the highway or bust. I figured the highway would be better so off we went. I also thought that there would not be many cops about so I went fast and inevitably I turned up the tape I had in my car. The girl ridng with us asked for different music so I switched cassettes to the same band different album and turned it up. I was flying, water was going everywhere, the defoggers on high and Judas Priest Screaming for Vengeance was blaring. The girl was screaming at me to slow down turn the music down and that our friend was about to puke. No one tells me to turn down Judas Priest. Up the radio went, down went the accelerator. It was a fast trip home, the rain stopped, no one got sick and the girl just got mad at me. Such is life. She wasn’t my girlfriend.

Judas Priest

I say it again.

Judas Priest

If you love music and even if you only just like music you probably have that band that you will follow no matter what; through bad albums, lineup changes through anything. You mourn them when they disband like any loss and if a member dies there is real grief attached to the loss. The band and the songs they sing evoke memories, songs you remember when you were in love or when you went through a breakup, good nights bad nights, milestones hit were celebrated or lamented with the band you love. I have more than a few of these bands. Judas Priest is one of them.

Long after my single days ended and I had a kid of my own I was surprised to find my kid singing the song Grinder. It’s a Judas Priest song that I have changed the words to a thousand times and since I make up a lot of songs that I sing when I am mowing the yard or cleaning the house my son thought it was just one of those songs. He was surprised to find that it was real and that still makes me laugh. Yes I still make up words to that song.

I have every album. I have bought Screaming for Vengeance three times and Defenders of the Faith four. I spent two years following them around and driving anywhere within driving distance to see them live. I loved those twin guitars of K.K. Downing and Glenn Tipton and now as they have gotten older and Downing retired from the band and Tipton struggling with Parkinson’s so that he is only a part-time player it sddens me. That’s what happens what is happening all the rockers I love so much are aging and slowly fading away.

Not too long ago I was channel surfing and came across a concert of the band. It brought up the same old feelings, the same ones I had the first time I watched them. It was interesting to see the entire band leave the stage except Tipton and then watching him mesmerized with just an acoustic guitar pretty much blow me away. By the audience’s reaction I suppose they agreed with me.

Judas Priest continues to play music today. Rob Halford still belts out vocals with arguably the greatest heavy metal voice of all time. I have every album and it’s always fun to see how a band develops over time over the course of a couple of decades. Their music gets your blood moving, makes your ears ring and sure not everyone loves heavy metal music so they are not for everyone.

I realize this blog entry is a little short. For the past month I have been moving and it’s only been a few days that I have had my stereo back up and all of my music organized. I had intended to write about Journey but I am still organizing and so I decided that writing about those bands that we all have would be just as important. I know there are some people that don’t love music the same way I do. I know there are some that don’t have and have never had that band that they just cherished. It’s just hard for me to understand. It always seems to me that when my music has taken a down turn and I just get a lot of blah music back to back to back that something pops up on the horizon to get me excited. No different than when your favorite band is announced as coming to your town and tickets are going on sale, How do i get them? It just drives you and will do so until those lights go down and start swirling on the stage and the opening notes hit you no matter where you are. Maybe it’s the sound of a motorcycle revving up. Hell yea. The Priest is back in town.

Mike out

The Music Blog: The Legend and the Myth

You can imagine the day, what it was like. There was a knock on the door of a Dallas hotel room. The door opened and a white man peered out into the hall where a black man stood, slight of build, dressed stylish, dapper even. There was likely a cigarette dangling from the young black man’s mouth and he carried an old battered guitar case. The white man greeted the stranger and invited him in.

“You can set up over there Robert,” the white man said, pointing to a corner where a chair sat in front of a microphone.

The black man takes his coat off, drapes it over the chair back, but not before pulling the whiskey bottle from the inside pocket. The black man, Robert, sets it down on the floor beside the case, opens the case and pulls out a battered brown topped guitar that is obviously well cared for besides the hard use, like the case that carried it. The case, guitar and Robert the black man have seen a lot of miles together more miles than the white man has likely ever traveled but almost all of them in the state of Mississippi. He sits facing the corner. This was not because of shyness but for acoustic reasons.

When the white man tells him to play he does and it likely causes the white man to briefly raise an eyebrow. It sounds like there could be two guitars in there but its only one. Or maybe the white man has no reaction because over the past weeks and months he has had many black men come into play and all of them could play but this kid was good. When the session is over the black man packs his things and leaves. He will not record again and will be dead soon after.

You can see this happening. You can see it in your mind. It’s been reenacted before on countless movies and documentaries although no one really knows what happened as the participants are long dead. Robert Johnson had that kind of life; a life of myth and legend and most blues historians most important jobs is to discern between what was real and what wasn’t real. I wonder sometimes if this was pure marketing genius on Johnson’s part or whether it was just the life he led. Some call Robert Johnson the greatest blues man ever. He is certainly one of the greatest guitarists of any genre on the planet. For the record he is number 4 on my list right behind my big 3: Hooker, Waters and Howlin’ Wolf. He would likely be higher except for one of those mysteries. He has less than 30 songs, that’s all. Yes he died at a young age but there were opportunities to record. He could have stayed in Dallas and recorded more. Despite the amazing number of compilation packages out there it’s the same songs, enough to fit onto one or 2 cd’s. Blind Lemon Jefferson who was blind and had to walk from East Texas to Dallas to record has over a 100 songs he recorded. Johnson’s life is a mystery and to understand what you can of him you have to go through his life step by step.

He was born in Hazelhurst, Mississippi. His father was actually a relatively well-off landowner but he was soon run out of Mississippi by a lynch mob and there is no recorded reason why. It could have been that he was black and that was reason enough but more likely he was well-off and so considered uppity. Johnson lived with him for some time in Memphis but was soon back with his mother on the Abbay and Leatherman plantation. Robert saw early on the hard work of the plantation employee, with little pay and little hope but there were not opportunities for blacks in Mississippi and Johnson always wanted something better. It was not surprising that Johnson decided he wanted to be a bluesman. There were many wandering bluesmen around playing the circuit all vying for spots in the big clubs. Many of these men could be found playing in cities on corners for nickels and dimes hoping to draw interest to get on a stage in the evening. Johnson began his career on these corners playing for nickels and dimes. Johnson might have continued this way and have never been known for anything, living and dying earning a few nickels and dimes but something happened that changed his life. Robert Johnson fell in love.

He was only 16 years old, she even younger. He may or may have not gotten her pregnant but Johnson left music on the corners behind and went to work on a plantation where his new wife worked. Her family was deeply religious and did not approve of Johnson because of his love of blues music which they considered devil music. Johnson worked hard doing the work he had never wanted to do. Such would have been his life had fate not intervened again. Johnson had acquired a guitar either bought or given to him and was teaching himself to play although spare time was limited. His wife naturally wanted to be with her family for the birth of their child and as she grew closer she took a train to her parents where she could be better cared for. Johnson saw her to the train with the promise that he would make his way soon after to be there for the birth of their child. Johnson saw a perfect time to play a little music while he made his way there for the birth. While he was drinking and playing for nickels and dimes his wife went into labor early and with great difficulty. Johnson arrived late but he was greeted with her grieving angry parents. Where had he been they accused? They saw the guitar he carried and showed their disappointment and displeasure. Johnson’s wife died, as did their child. Robert buried them both and then left never returning to the plantation life.

Now here’s the thing. Did it happen? There are certainly some questions about this important event but most of these are just because the rest of his life are full of these events that either did or didn’t happen. I believe it did and Johnson wrote one of the great blues songs ever Love in Vain about the loss.

So Johnson went back to the blues, traveling the routes other blues men traveled trying to squeak out a living. At night he would show up at juke joints and beg other blues men to allow him to play with them but he was an atrocious musician and was frequently ridiculed and laughed at. He especially hounded the bluesman Son House and tried to learn guitar techniques from watching. Later Johnson’s family would tell researchers that Johnson had given up all normal life to play the music of the devil which is what they called secular music. This was also known as selling your soul to the devil. Now Johnson was not alone in this. Many religious black men and women considered any musician to have done the same.

It was likely a Saturday night somewhere near Robinsonville, Mississippi at a crowded juke joint. Robert Johnson arrived carrying a battered guitar case or maybe just his guitar. He had not been around of late and some believed he had finally given up on the nonsense dream that he was some sort of bluesman. Johnson did his usual begging the musicians and singers for a chance to come up on stage with him. They laughed at him probably slapped him on the back. Son House may have been playing that night. Stories vary as to what Johnson did or didn’t do. Some say that he took the stage on his own without permission during a break and began playing. Other stories say that a musician dropped out mid performance due to illness or drink and Johnson replaced him without permission. Who knows? This is Robert Johnson we are talking about. Johnson began playing no matter which story you believe. He may have even gotten permission out of persistence alone. He was dapperly dressed and maybe that helped persuade someone. Regardless from the first notes all eyes were on him. This kid who had not been able to play much before was now the best musician in the house. Johnson’s transformation was not explainable, was magical, maybe even supernatural. It did not take long before the rumor began circulating that Johnson had gone to the crossroads and made a deal with the devil. It seemed the best explanation. In African American culture the crossroads is where you went to make a deal with the devil. People believed that Robert Johnson had done this. Johnson made the most of these rumors by writing songs attributing his skill to that deal: Crossroads Blues, Me and the Devil Blues, Hell Hounds on My Tail. Johnson knew exactly how to market himself and knew enough not to have every song he wrote about this, just enough.

So if Johnson didn’t make a deal how did he get so good? He worked and worked and practiced and worked and learned. He watched and he had a teacher. It is very clear from Johnson’s style that he had watched Son House and likely learned a lot by watching and practicing. One thing about Johnson is that there are only 2 known pictures of Johnson and one is still in dispute but he had huge hands slender hands for a man that was actually slight of build. There is a wiry strength in them which is easy to see. It’s also likely that Johnson was taught a lot by one Ike Zimmrtman who believed that spirits helped him with his guitar playing and that because of that he was often found late at night playing in cemeteries which is likely where Johnson found him.

Johnson worked the circuit, playing before shows at local barber shops to draw interest and then playing to larger audiences in the juke joints at night. He was a known womanizer and had women who he lived with up and down the juke joint trails. Somewhere around 1936 Johnson sought out a talent scout in Jackson, Mississippi who got him ultimately in contact with Don Law and Johnson traveled to San Antonio, Texas for his first recording session. Johnson later traveled to Dallas, Texas for his more famous session, where he recorded his darker moodier songs such as Crossroad Blues, and Me and the Devil Blues. Johnson recorded only 29 songs. Whether he would have recorded anymore is a question many ask. Yet Robert had one more bit of myth coming.

Robert Johnson died on August 16, 1938 near Greenwood, Mississippi. There was no announcement he simply disappeared as black men and women did in those days, His death certificate indicates no cause of death. It was not until 30 years later when a musicologist reviewing his life began to dig deeper. As with most of his life his death is surrounded in mystery and myth. Some say he was poisoned, and others that he was shot by a jealous husband. It was suspected he had congenital syphilis and this may have been a contributing factor of his death. Some say that he just died of pneumonia like many did. Stories gave different accounts of what may have happened before his death. Johnson was at a local juke joint and was flirting with a known married woman. He was offered an open bottle of whiskey which Sonny Boy Williamson knocked from his hand as Johnson had always warned him against drinking anything that had already been opened. Johnson was angry and told Williamson to never do that again. Another bottle was given to him and Johnson drank it. He later complained of feeling ill and was helped out and to a nearby home. It was said that he had been poisoned with strychnine which he recovered from but that weakened him and that he died of pneumonia. The original stories of his death indicate that he may have been found by the side of a road. Even his death is difficult to determine as you weed through the myths and the facts which are sparse. One of the stories which has gained more and more credibility is that Johnson had gone to a local plantation to perform over a few days and that he had grown sick there and eventually died and was buried near there.

Even Johnson’s burial location is a mystery. Black men died and were buied, many in unmarked graves without fanfare. There are three possible burial sites noted on the Mississippi Blues Trail around the Greenwood area. All three of these sites are as credible as the next. Who knows which grave Johnson is buried in or whether he is buried in any of the three? Even his burial is shrouded in mystery. There is little known about his life, or his death and so it’s subject to stories. Johnson didn’t seem to garner many close friends. He wanted to play music and be with a different woman whenever and wherever he could.

Robert Johnson was a unique talent. He recorded only 29 songs and that’s all we have left besides a couple of pictures one of which is in dispute. There are a million stories of did he or didn’t he and even his death is did the devil come take his soul. Johnson has such a unique style, even sometimes adding a seventh string to give his guitar a different sound. There are times when it sounds as if he has an entire band playing with him and it’s hard to believe that the recording is just Johnson and his guitar. Maybe the devil was playing alongside of him, or maybe he wasn’t.

Mike out

The Music Blog: Captain Fantastic

In my earliest years, formative years, one of my first musical loves was Elton John. I loved his voice, loved his music, all the early stuff. I even borrowed two albums from my sister that she had and if you walked into my room at any given time I was either listening to Chicago or listening to Elton John. The best thing about those two bands was how acceptable they were to my parents. They didn’t scrutinize the music and they heard the songs on the radio. So there were no conflicts other than me trying to steal my sister’s records. She had the songs Daniel and Your song two songs I still love to this day. Luckily I have the albums now, not my sister’s but my own. No worries my sketchiness remains as I did steal several other records of hers that remain in my collection.

Elton remained more or less a constant in my musical experience until the album Jump Up when I decided that buying more of his records was simply a waste of my time and money. It had been a process anyway. As a kid the first blow to my Elton John world was the horrible duet done with Kiki Dee that was played on the radio constantly. I hated it then still hate it now. It was a huge turn off and back then I was a lot less forgiving than I am now. Now I recognize artists are not always going to do things you love. In 1982 Elton John released Jump Up. It is simply not a good album and it features the hit song Empty Garden which is a tribute to John Lennon. Now truthfully I do not know if they were friends but it would seem an odd pairing. Elton talked about John as if they were the best of friends. Maybe they were but it just seemed to my 19 year old mind that it was bullshit and the song has always seemed contrived, false. It puts me off and for a long time I would remain steadfastly anti-Elton with the exception of the early well-loved albums that meant so much to me. In 1997 Elton made another bad decision that he is actually quite revered for. Now Elton was friends with Princess Diana so it made perfect sense that he would want to perform a song for her honoring her life. Yet he chose to not write something new, instead butchering a well-loved song Candle in the Wind which was about Marilyn Monroe. It was bad form to me, one it compared Diana with Marilyn and it seemed the easy way out.

Now let’s be clear this is not a bashing of Elton John blog, just the opposite. Over time my positions have softened greatly on the artist. He will always be Captain Fantastic to me. I still absolutely adore his early albums, Tumbleweed Connection, Honky Chateau, Don’t Shoot Me I am Only the Piano Player. I will even add Goodbye Yellowbrick Road although it’s not my favorite album. I just think it’s over produced and too focused on hit songs. I much prefer Captain Fantastic and the Brown Dirt Cowboy with one of the most awesome acoustic songs ever. In fact I always wanted to learn to play the guitar and had dreams that I would play that song for some girl someday. My love of music doesn’t really translate though to playing a musical instrument although I still have hopes of putting together a death metal Glockenspiel band. Hey the music world NEEDS that. We might even cover a Zappa song. Wait what? Yea no. No Zappa. EVER.

One album has over the course of my life steadily risen to have more importance than any other Elton John album. Of course it’s an early album. It is firmly entrenched in my top ten albums of all time and the title track to me is one of the ten greatest songs ever written and simply stunning. Now that’s just my opinion. Side 1 of that album is the greatest pop album side ever. Notice I said pop. The greatest rock side of any album, again my opinion, is side 1 of Aerosmith Rocks. The album is Madman Across the Water. With the songs Tiny Dancer, Levon, Razor Face and the title track I get goosebumps when I get ready to play it. It is absolutely wonderful and so much of Elton John’s early music is stripped down, not as over produced as later efforts. I think the album Tumbleweed Connection is actually edgy as hell considering how early that album was in his career and being released in 1970.

Artists grow though and if they are very lucky they are successful. The need to be edgy, coupled with less of a need to constantly have new material ready softens artists. For many artists their best album will be their first. Those are the songs they played the longest before recording, they know the best and they have worked out the kinks. Many songs later in an artist’s career will get discarded because they simply don’t have the opportunity to work out the glitches and kinks in live settings. They never get an audience response. It’s hard though for any artist in any genre to stay relevant and popular for 50 years. When you look at Elton’s discography too you see how prolific he actually was. Long after establishing enormous success Elton continued to churn out about an album a year and for his entire career you don’t see huge gaps between albums. To me that is very phenomenal and indicates just how much Elton loves to play and how important it is to him. Elton will be cherished as one of those artists who is almost universally loved. There are not many artists I listened to when I was the age of ten that still impact me well into my 50’s. For that, well done Elton.

Mike out

 

The Music Blog: The King of Pop

I feel thankful that I got to grow up as a kid in the 70’s where we played outside until the street lights came on, explored creeks, shot off fireworks, threw water balloons at cars and at each other, played kickball or touch football in the street, spit or rubbed dirt into our scrapes. I think it was a great time to be young, to be a child.

The music was great too. There was something for everyone. There were rock gods and bands that would see us through high school and beyond. There were concerts later, lots of concerts. There were variety shows and everyone seemed to have one or be on one. There was Motown; the Temptations, The Four Tops and sigh, Diana Ross and the Supremes. There were teen idols and two hit making family acts that seemed to be in competition with each other, one white and one black. There were the Osmonds and there was the Jackson Five. People bantered about who was better. For me it was never a question. There was always something creepy about the Osmonds, all those teeth I think. I loved the Jackson Five. At one time I had or we had 45’s of a lot of this music but over the years they were lost. Always there was Michael Jackson at the center of things.

Long before he was the King of Pop he just seemed like this fun kid who could really sing and dance. Most of his career is overshadowed by later allegations of inappropriate behavior with children. The question of did he or didn’t he still seem to plague him long after his death. Regardless his career and legacy and even his financial status was forever tarnished. If he did it, then that was a small price to pay for the damage done. If he didn’t then it was way too much. As a star and especially a star of that magnitude then you might say that thems the breaks, that’s the price of fame, that’s the cost of being the King of Weird. I don’t know of another artist more demonized for any number of reasons including buying the rights to the Beatles music and then refusing to sell them to Paul McCartney, for buying or at least wanting to buy the bones of the Elephant man, for his bizarre Neverland house that he built, for wanting to be or acting like Peter Pan the boy who never grew up, for the plastic surgeries, for the drastic change in his appearance, the fascination with Diana Ross, the strange desire to change his complexion from black to white and the stranger stories to explain it all away. He will be remembered for holding his baby off of a balcony and not seeming to understand why people were so concerned. The weirdness made the allegations of wrong doing more believable. Through it all with all of that scrutiny he is one artist I would have never wanted to be even for a single day. He always had to be on and how could anyone be normal with that sort of scrutiny. For all the success I find his life tragic and sad.

I grew up loving him and then became so disillusioned with him because of the weirdness and the allegations that it was hard for me to acknowledge that I had ever liked him at all. Maybe as a social worker I just refused to give him any benefit of the doubt. Yet his situation was anything but normal, it didn’t fit into a nice space that anyone could really understand. His death has softened me, surprised me so much that I went from quiet shock to tears. Whatever he did or didn’t do is beyond him now, beyond any of us whoever judged him which pretty much includes everyone. You can still believe one way or the other yet at the end of the day it won’t and can’t change a single thing. So what do we have left? Well, he was the King of Pop and he got that title for a reason. I thought Off the Wall one of the coolest albums ever, a grown up Michael. The relationship with Quincey Jones worked and I like that album as well as I like any album he ever did including the next one Thriller. It always was interesting to me that the Jacksons came out with Victory at the same time as Michael with Thriller. It would prove to be problematic for Michael as he had already committed to the Victory tour but Thriller soon outstripped both the Jacksons’ tour and the album. Yet Michael didn’t allow his success to overshadow his brothers on that tour. What those two albums did was give Michael Jackson one iconic epic moment when both the Jacksons and Michael performed at Motown’s 25th Anniversary show. I remember that like yesterday and sure I watched more for Diana Ross than I did for the Jacksons. I expected Michael would perform something older, but he didn’t. Instead he introduced the world to four things: 1) What an amazing dancer he was, my my my, 2) the Glove, 3) Billie Jean which is still my favorite Jackson song and 4) the Moonwalk. I remember shouting, I remember screaming and I am quite sure I said something to the extent of what the hell was that. It didn’t look real, it didn’t look possible and seemed to defy physics. It was iconic and it was genius. I bought Thriller the week after that. The great thing is that you can youtube that moment and I bet it will still give you chills.

I don’t necessarily think that Thriller has held up well with time or the follow up Bad, but that doesn’t define an artist. Michael always found a way to be changing not just his appearance but musically as well. Every time you thought he was down and out he would come back with something else. To me there is only one artist that had the pressure that Jackson had to always be on and that was Elvis. He lived his life in a fishbowl, as a spectacle. It’s hard to imagine him at home relaxing in a pair of jeans no make-up, no costumes no weird, yet I am sure he did relax at home. Yet he seems to have always been in an outfit made for the stage, like a personal uniform. People will argue about who the greatest front man is, I even had a blog recognizing what a wonderful front man Fred Schneider of the B-52’s is. I would not normally include a solo artist in that category. Michael though was more than a solo artist. He was the leader of the Jackson 5 and no matter how young he was you just could not keep your eyes off of him. Going back to the Motown 25th Anniversary show performing with the Jackson 5 no matter how he deflected to his brothers they just paled in his shadow. And any time he was with a group of performers such as We are the World he was front and center.

Look ultimately you have to make your own decisions about whether he was or was not some evil pedophile, and sexual predator. No matter what you think you can’t change what did or didn’t happen and if you believe as most that there is something after death then he has had to answer a judgment much greater than anything you can do. Personally I think he was taken advantage of, by different kinds of predators all looking for paydays but again that’s neither here nor there. My judgment means little. To me he was iconic, the King of Pop, an electrifying performer who I grew up watching. At least once a year I pull up the youtube video of Billie Jean at the Motown Anniversary show and I still get chills. That is what the blog is about, about a performer far and above most.

Mike out